hilbert-space

 


mass media conjures
networks of false social relationships,
mediated by streams of deceptive imagery…

subversion is the process of communication
beyond established limits…

 


the critiques of mental captivity herein
are simulations of
neither authenticity, nor existentialism…

media streams erase all future and past—
replacing both with an immutable,
permanent now…

 

word language has slipped
into visual communication—which is
to say, another language…

 


aesthetic forms are, in part,
remnants of their own creative process…

 

constellations of individual projects link
as a body of work, within fasciae
of para-aesthetic compositional expressions…

 


media hinders critical thinking
as it distorts our perception
with fantasy, fulfilling the role
once occupied by religion…

 

marketeers, entertainers, and
other establishment-tasked goons
neutralize dissent
through the promotion of
contrived, fraudulent subversion…

 


the notion of the author is fictional:
it is a hyperreal social perception,
formed by mass attention…

 


life, misaligned with identity,
is slow death…

in hybrid, mixed-media language:
images are picked to symbolize
the sentiment of ideas,
which are also described by words…

additionally: music, performance,
and montage are contrived to
symbolize the sentiment of ideas,
which are also described by words…

herein, process will be amended
to the body of aesthetic forms…

diverse groups conspire
to promote alternatives
to existing concepts…
adaptive, automated algorithms constrain
and direct individual consciousness
through the electronic delivery of
personalized media,
which seduces victims to live within
custom-tailored fantasies…

 

existence has been murdered and replaced
by its representation. experience is dead.
realism is a psychological effect…

 

there is a myth of freedom from
influence and expectations, from alienation,
and also of physical freedom

 

 

decoy insurgents are flack,
tasked with the protection of
institutionally administered
cultural monopolies…



reject imposed identities.




reject imposed identities.




reject imposed identities.




reject imposed identities.



media, to subvert
the influence of media.



media, to subvert
the influence of media.


culture-herding fictions
impose illusions whose self-fulfillment
may be broken only through
the application of a
revolutionary hyper-awareness.

culture-herding fictions
impose illusions whose self-fulfillment
may be broken only through
the application of a
revolutionary hyper-awareness.


critiques of such deceit
must expose and enfeeble
the language of counterfeit resistance.


critiques of such deceit
must expose and enfeeble
the language of counterfeit resistance.

 

mass media conjures
networks of false social relationships,
mediated by streams of deceptive imagery…
subversion is the process of communication
beyond established limits…
the critiques of mental captivity herein
are simulations of
neither authenticity, nor existentialism…
media streams erase all future and past—
replacing both with an immutable, permanent now…
word language has slipped
into visual communication—which is
to say, another language…
aesthetic forms are, in part,
remnants of their own creative process…
constellations of individual projects link
as a body of work, within fasciae
of para-aesthetic compositional expressions…
media hinders critical thinking as it
distorts our perception with fantasy,
fulfilling the role once occupied by religion…
marketeers, entertainers, and
other establishment-tasked goons
neutralize dissent
through the promotion of
contrived, fraudulent subversion…
the notion of the author is fictional:
it is a hyperreal social perception,
formed by mass attention…
life, misaligned with identity,
is slow death…
in hybrid, mixed-media language:
images are picked to symbolize
the sentiment of ideas,
which are also described by words…
additionally: music, performance,
and montage are contrived to
symbolize the sentiment of ideas,
which are also described by words…
herein, process will be amended
to the body of aesthetic forms…
diverse groups conspire
to promote alternatives
to existing concepts…
adaptive, automated algorithms constrain
and direct individual consciousness
through the electronic delivery of
personalized media,
which seduces victims to live within
custom-tailored fantasies…
existence has been murdered and replaced
by its representation. experience is dead.
realism is a psychological effect…
there is a myth of freedom from
influence and expectations, from alienation,
and also of physical freedom
decoy insurgents are flack,
tasked with the protection of
institutionally administered
cultural monopolies…

reject imposed identities.

reject imposed identities.

reject imposed identities.

the meaning of language relies
on the comprehension of
its meta-language.

media, to subvert
the influence of media.

media, to subvert
the influence of media.

culture-herding fictions
impose illusions whose self-fulfillment
may be broken only through the application of a
revolutionary hyper-awareness.

culture-herding fictions
impose illusions whose self-fulfillment
may be broken only through the application of a
revolutionary hyper-awareness.

critiques of such deceit
must expose and enfeeble
the language of counterfeit resistance.

critiques of such deceit
must expose and enfeeble
the language of counterfeit resistance.